filmingo specifications for delivery
First priority – best format
Image
- version with front and end credits, without burnt-in subtitles
- Frame Size: 1920x1080
- Format | Suffix: .MP4 / .mov
- Compressor – Codec: h264 High Profile / h265
- Bitrate: constant 6-8 Mbps
- Frame rate: native
- Field dominance: progressive
- Color space: Rec. 709
Sound
- Audio: AAC 128-192 kbps / 48kHz or 44.1kHz, EBU R128 standard
- Audio Channels: Stereo CH-1 (left) CH-2 (right)
Subtitles
- separate SRT files
- If more than one language is available, send separate SRT files for each language.
Additional remarks
Not allowed:
- Timecode displayed on the picture
- Your own watermark
- Test sound signal at the beginning or at the end
- Squeezing or any deformation of the picture: keep the native aspect ratio and letterbox or pillarbox within a 16:9 container (i.e. Scope ratio will be letterboxed. 4:3 ratio will be pillarboxed
Please avoid:
- Long black sequence at the beginning or at the end
- Poor compression that will create pixelation and don’t apply any streaming optimization
- Distributor logo at the beginning
Second priority – high quality h264/h265 file
Image
- version with front and end credits, without burnt-in subtitles
- Frame Size: 1920x1080
- Video HighRes Proxy (OV-Version), high quality h264/h265 file in original version (stereo), EBU R128 standard
- Frame rate: native
- Field dominance: progressive
- Color space: Rec. 709
Sound
- Audio: AAC 128-192 kbps / 48kHz or 44.1kHz, EBU R128 standard
- Audio Channels: Stereo CH-1 (left) CH-2 (right)
Subtitles
- separate SRT files
- If more than one language is available, send separate SRT files for each language.
Additional remarks
Not allowed:
- Timecode displayed on the picture
- Your own watermark
- Test sound signal at the beginning or at the end
- Squeezing or any deformation of the picture: keep the native aspect ratio and letterbox or pillarbox within a 16:9 container (i.e. Scope ratio will be letterboxed. 4:3 ratio will be pillarboxed)
Please avoid:
- Long black sequence at the beginning or at the end
- Poor compression that will create pixelation and don’t apply any streaming optimization
Third priority – ProRes
Image
- version with front and end credits, without burnt-in subtitles
- Frame Size: 1920x1080
- Format | Suffix: .mov
- Codec: ProRes 4444 / ProRes 422 HQ / ProRes 422 / ProRes LT
- Frame rate: native
- Field dominance: progressive
- Color space: Rec. 709
Sound
- WAV file (with same duration and in-point as the image) OR integrated in the .mov with 2 discrete channels, 48kHz, 24bit, Stereo (CH-1 (left) CH-2 (right), EBU R128 standard
Subtitles
- separate SRT files
- If more than one language is available, send separate SRT files for each language.
Additional remarks
Not allowed:
- Timecode displayed on the picture
- Your own watermark
- Test sound signal at the beginning or at the end
- Squeezing or any deformation of the picture: keep the native aspect ratio and letterbox or pillarbox within a 16:9 container (i.e. Scope ratio will be letterboxed. 4:3 ratio will be pillarboxed)
Please avoid:
- Long black sequence at the beginning or at the end
- Poor compression that will create pixelation and don’t apply any streaming optimization
Fourth priority – DCP delivery
- unencrypted DCP version with front and end credits, without burnt-in subtitles (Overlay-subtitles are allowed)
- Is only an encrypted DCP available, please add a DKDM for REDSPACE AG.
Subtitles
- separate SRT files (if necessary we convert the overlay-subtitles into .srt-files)
- If more than one language is available, send separate SRT files for each language.
Additional remarks
Not allowed:
- Timecode displayed on the picture
- Your own watermark
- Test sound signal at the beginning or at the end
Please avoid:
- Long black sequence at the beginning or at the end
Contact
If you have questions or need clarification, don’t hesitate to contact us! We're glad to help.